Highlights 2020
Oh my, what a year that was. What started as a promising stretch of exploring new locations and capturing fresh images was suddenly cut short. Just as things were gaining momentum, everything came to an abrupt halt—but looking back, I’m still grateful for the moments I managed to capture before it all paused.
From January to March, I managed to revisit an old asylum—a long-time favourite haunt of mine—to see how much more time and weather had taken their toll. I also took a few day trips to Donegal and set off on a big solo road trip, not only to earn my AIPF photographic distinction, but also to travel the length of Ireland to see the Ghost Ship of Storm Dennis.
Back home, I squeezed in a few more local explores before everything came to a sudden stop. During that unexpected pause, I finally tackled some long-overdue chores—and even tried my hand at making apple jelly. Turns out, it’s surprisingly good with a cheese sandwich.
From June to August, I gradually started getting back out again—taking socially distanced walks through nearby towns, camera in hand, just to reconnect with my surroundings and refocus. I also included a few scenic shoots, easing myself back into the rhythm of creating. Before long, I was heading off on plenty of solo day trips—something I’d usually prefer to do with company—but those quiet journeys turned out to be really rewarding. I came home with a collection of new pieces I’m genuinely proud of.
I also spent more time shooting on film and even met up with an old friend for a dedicated film day in the forest—a reminder of how good it feels to combine creativity with good company.
I managed to squeeze in a short trip to Sligo too—though it rained for most of it, it still felt great to get away for a change of scenery and spend a sleepless night in the tent listening to the weather roll through.
Not long after, another pause came along, and to top it off, my car finally gave up the ghost. Luckily, I was able to borrow another for a while, which meant I could still manage a few local outings—including a return to an old mill I last photographed back in 2015. It was strange seeing how much had changed—and how much hadn’t.
The only real splurge I made this year—aside from the “new-to-me” vehicle—was a Shimoda camera bag. It was a long-overdue upgrade; my old bag just wasn’t cutting it anymore for the gear I’m carrying these days. The Shimoda has already made a huge difference, keeping everything organised, protected, and a lot more comfortable to haul around on those longer days out.
Even though it wasn’t the smoothest year, I still came away with plenty to be proud of. I created a new body of work, earned a photographic qualification, and picked up a new set of wheels—currently a project in itself. I also put in more time flying the drone and started learning video work. I even completed one video, which made its way onto my YouTube channel. There’s still a long road ahead before my films are where I want them to be, but it’s a start—and progress is progress.
I still managed to get out, even if only in short bursts, and I’ve got a couple of new projects lined up for 2021—ones I’m genuinely excited to dive into.
So, thank you all for the comments, likes, sales, and continued support throughout such a difficult year. It truly means the world. I’m looking forward to sharing what comes next, and I’d also like to express my gratitude for the past 14 years for following me on my journey of capturing the lives we've left behind before they disappear.
