Highlights 2021
It felt like an odd year—travel was limited, and plans often had to stay close to home—but looking back, I’m surprised by how many locations I still managed to explore. Even with the restrictions, it turned into a productive year, full of unexpected finds and quiet discoveries.
I was fortunate to receive a grant that helped offset the impact of closures, allowing me to invest in several major upgrades, including a large-format printer. With that now up and running, I’ll soon be launching my Certified Limited Edition prints, each series limited to either 25 or 35 pieces, available in two carefully chosen sizes.
This year, I mostly focused on cottages and houses, turning my attention to the smaller, more intimate details within them. I think I shot more film than digital this year. It’s a bit more expensive, sure—but I find it forces me to slow down and really think about each frame. There’s something deliberate and grounding about the process, something I learned long before everything went digital. Shooting film reminds me to be intentional, to make every shot matter—and I honestly think it makes me a better photographer.
Later in the year, I headed south for a few solo camping and exploration trips, with a couple of outings alongside friends as well. It was great to revisit some familiar locations that had opened up again—and returning with a film camera this time gave those places a fresh perspective, capturing them in a way I couldn’t before.
Near the end of the year, I had to say goodbye to our beloved Bonnie as she crossed the rainbow bridge. Not long after, I rescued a little collie pup—fittingly named Hassie, after my favourite camera brand. She’s still young and learning, but she’s already joined me on a few short outings. Once she’s a bit older and fully trained, she’ll be my new companion on future photo trips—a proper adventure partner in the making.
For 2022, I’m continuing to develop a few ongoing projects—some shot on film—and planning for more days away camping and exploring. I’ve also been gradually kitting out my vehicle to make those trips a bit easier and more self-sufficient, giving me the freedom to head off at a moment’s notice and stay wherever the light or location feels right.
I also took part in a workshop called “The Cultural Afterlife of Ruins,” where I had the chance to share my perspective on exploring and documenting abandoned spaces. As part of it, my article was published in the accompanying zine—a rewarding experience that combined my love for photography with the wider conversation about history, decay, and preservation.
As always, I want to express my sincere thanks to everyone who follows, comments, likes, and supports my work—especially through print purchases during what’s been another challenging year. Your encouragement genuinely keeps me going. I’m also deeply grateful to those who’ve been with me over the past 15 years, following this journey of capturing the lives we've left behind before they disappear.
